Page 14 - Wallingford Magazine Issue 54 Late Spring 2025
P. 14

by Britt Bartow, Wallingford Historic Preservation Trust with ancestry research from Bobbie Borne
         A Dress to Impress
         A Dr                            es         s t         o Im                  pr           es         s















         he primary bedroom of the John-                                           The added 1900s vel-
      Tson Mansion is the home of a gold                                           vet on the collar and
      brocade  dress,  trimmed  with  satin                                        belt  is  backed  with
      and velvet, and in near perfect con-                                         gold  satin  to  match
      dition. This early Edwadrian walking                                        the  gold  brocade  of
      dress has signs of being altered from                                      the  1890s  portion  of
      a late Victorian style dress. The corded                                 the dress. The decorative
      hem, velvet collar, belt with buckle, and                                belt  buckle  displays  an-
      elastic attached to the underside of the                                  other trend of the time,
      skirt,  are  all  features  that  would  have                             as  it  features  individual
      brought a dress from the 1890s into the                                   shaped  and  cut  steel,
      early 1900s. But more than hiding these                                   instead  of  stones.  The
      details, the dress is also hiding a connec-                                buckle would have like-
      tion to Wallingford.                                                       ly  had  matching  shoe
                                                                                 buckles and  even hair
      In 1860, John P. Stevenson was born in                                     accessories to complete the look. Sarah
      Clinton,  Massachusetts,  and  came  to                                   could have complimented the ensemble
      Wallingford in 1887 with his brother, Fran-                               with a silver chatelaine and hat pin.
      cis. Together they opened a clothing store,
      JP Stevenson & Co., and ran it until 1911.                                 The dress was donated to the Walling-
      After  moving  to  Wallingford,  John  mar-                                 ford Historic Preservation Trust by a de-
      ried Sarah Lousie Jones in 1888. John and                                   scendant of Sarah Stevenson. The care
      Sarah  settled  on  South  Elm  Street,  and                                 and love that Sarah and her family put
      raised three children.                                                       into  the dress has  very clearly been
                                                                                    passed  down  through  the  genera-
      Sarah Jones Stevenson has a long lega-                                        tions, and the WHPT is proud to con-
      cy in Wallingford. The Jones family, de-                                       tinue caring for and displaying this
      scended  from  the  Lt.  Gov.  of  Colonial                                    immaculate representation of fash-
      New  Haven  Theophilis  Jones,  lived  on                                       ion and how it changes, for many
      a large farm on the west side of Wall-                                          years to come.
      ingford near today’s Jones Road.  C.N.
      Jones, her father’s brother, was proba-
      bly the first in the family to move into
      town  when  he  built  the  house  north
      of the Johnson Mansion. Sarah, wear-
      ing the gold brocade gown, may have
      visited  the  house  where  her  uncle
      lived. Maybe she strolled next door to
      say hello to the Johnson’s, the house in
      which the gown now resides.

      Because her husband John owned a clothier and
      hatter shop for men and boys, the gown was likely made
      for  Sarah  elsewhere,  but  perhaps  using  her  husband’s
      connections and eye for detail. The dress is lightly boned in the
      front of the bodice with metal strips, in what looks like an addi-
      tion to the original design. A cord was sewn into the hem of the
      skirt, and backed with heavy fabric using a sewing machine. Most
      parts to the late Victorian style of the dress are hand sewn using
      black or gold thread, while later reinforcements and changes used
      a sewing machine with black or white thread.



       14                                             WALLINGFORD MAGAZINE - LATE SPRING 2025
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